Feb 9, 1996 by Rudy Rucker, Jr.
I ask Heffe if he is up for some dumpster diving. 'Dumpster Diving' is a term Mushroom Mat taught me on one of my earlier Kerouacian tours of freeway on ramps. Rays of sun were warming my face as I leaned against the sun-soaked concrete barrier next to a mid-California on-ramp. Mushroom Mat and I had been joined by a lanky speed freak named Stayhigh at our last exit; together, we rode in a pick-up to our current exit. After six hours of sunshine and pot smoked from Stayhigh's glass crack pipe Stayhigh said it's his time for some D'n'D. After Stayhigh had left, Mushroom Mat told me how - on the excess of others and a few dumpster diving skills - you can survive. But, Heffe and I are not looking for food tonight. Tonight, I hope to find heavy things: heavy garbage is always better than white-trashy stuff. Heffe and I talk about the things, garbage, and stuff we seek. We are never specific: like love, unrealistic standards lead to dissatisfaction. Garbage and love, love of garbage, and garbage love fill my head as we cruise the industrial areas of Portland. Hawthorne Bridge shelters about four yielding dumpsters. A truck pulls up to a twelve foot high dumpster; a figure in a heavy work jacket--Carhart--knit cap, and gloves climbs into the open top and returns with a few 2x4's: Heffe is in the truck, I am in the knit cap. Heffe says "Stock wood," as I jump in the cab. Our next stop is outside of a sweatshop: fabric scraps. Grabbing chunks of felt, I visualize felt covered furniture. Underneath the felt lies a bonus item: Playboy's lingerie issue. A bit tattered, it finds its way into the truck; I hope to cover the walls of my basement/workshop with smut. I'm not sure how my roommates will respond to a tribute to the 70's mural: I'll have to call it art. Some call garbage art, stuff things, junk creative, but I know it is still garbage. Next, we hit a "promotional-products" warehouse dumpster. Heffe finds industrial yellow spray paint and some cans of quick drying paint. This dumpster is an old stand-by, but I don't find anything heavy here. With the truck half-full, we head to the Northwest warehouse district with intentions of taking care of the half-empty section of the truck. Listening to grunge - we have a right: we live in Portland - we scout the areas near the tracks. All we find are a stack of firebricks near a brewery. I think of Andre Caro's brick sculpture: in the 70's he made a line of fire bricks across a gallery and called it minimal. 2am: I'm ready to go home: home is a place to sleep: jumbled thoughts. Ready to quit. Suddenly, my eyes pop open. Pinch me! Two overflowing dumpsters on a dead-end street. One wood, the other junk. I see a chain and padlock hold the lid of the semi-truck-trailer-size junk bin shut, so I begin to sift through the wood pile. Economy passes through my mind and how Henry Thouroe built his house for $8.73 on a little pond called Walden; fuck you Henry,: I'm building my bed outta this wood I'm getting fer free. As I consider my spiritual battle with Henry, I hear his ghost shouting at me. I turn to realize Heffe is making the ruckus: a multi- colored bundle of wires the size of my body is tossed out of the junk dumpster at me. Heffe has managed to prop the dumpster lid open as far as the chain would allow: two feet. I climb the ladder on the outside of the dumpster and see the trash compactor scene from Star Wars. Every now and then, a 6'4" red headed serpent surfaces and then dives out of site. Heffe finds a lot of shiny brand-new door knobs: they are heavy. |